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The monotonous and commonplace demands of everyday life on board ship as well as on shore will enter into the most exalted and uncommon forms of romance at sea. Whether Lucy Acton was mad, or whether she was merely acting a part, it was as certain she must be fed as though she was a vulgar, homely, steerage passenger with nothing more poetic and soul-lifting in her life than the faded portrait of the milkman who wooed and then jilted her.,

Scroggie's mouth fell open in surprise. "I didn't try to kill any coon," he denied. "I saw one but it wasn't me that clubbed it; it was a tall, sandy-haired feller with a squint eye. I asked him what he was tryin' to do and he told me to dry up and mind my own business. I had to give him a lickin'. He went off blubberin'; said if I wasn't too scared to stick around he'd send a feller over who would fix me. So I stayed.",

"Where is the Aurora going?" enquired Lucy.,

"Did you say more tea, teacher?" Mrs. Keeler was at his elbow, steaming tea-pot in hand.

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Billy laid down his knife and fork and smiled reminiscently. "I was jest thinkin' of ol' Harry O'Dule," he said, answering the question in her eyes. "He's quit a bad habit, too. He's quit drinkin'; don't touch a drop any more—hasn't fer over a month now.",

They went on board the several vessels lying in the harbour, but the answer they received was that of the wharf: Miss Lucy Acton had not been seen, or at all events noticed.,

Amongst those who just then were standing upon the quay-side gazing with more or less of interest at the Minorca and the other vessels moored to the walls, was old Mr Greyquill, whose figure was immediately [Pg 107]conspicuous by reason of his long white hair and heavily white thatched eyebrows. And this day he wore a round velvet cap such as might have been suggested to him by a portrait by some old Flemish artist, and a velvet coat. He stood on the wharf a few paces behind some people who formed a little group, and peered at the Minorca with the sharp of his hand pressed against his brow seeking to determine the faces he saw on board. He was too far off to recognise the Admiral and Captain Acton, who now appeared, but the moment Mr Lawrence's head was visible above the bulwark-rail he knew him, and seemed to try to catch his eye, but Lawrence, who instantly perceived him, averted his gaze or turned his back, and after steadily staring for some moments under the shelter of his hand the old fellow shuffled off.,

Shortly after midnight he softly turned the key in Lucy's door and looked in, and deeming that she lay asleep he passed in, closing the door behind him, that the roll of the ship might not slam the door and awaken the sleeper. The light was dim, but sufficiently clear for[Pg 306] eyes that had come out of the gloom or darkness. A mattress lay upon the deck close against the bedstead, which was emptied of its furniture, and upon this mattress was stretched the figure of Lucy Acton. She was fully dressed as in the day, save that she had removed her jockey-shaped hat. The bolster from the bedstead supported her head. Some of her dark hair had become disengaged and lay loosely about her cheek, giving the purity of marble to her brow in that light, and her sleep was so deep that she lay as though dead. On the deck close beside her grasp was a common table knife.